... Distant Relatives ...

... "if this world were mine/I'd play rub-a-dub all the time"... you'll sometimes hear me spontaneously sing this out in my best Dennis Brown style, as if to broadcast the contentment a reggae soundtrack brings to my very heartbeat ... when I mix-up my selection with other styles of Jamaican music or hybrids thereof, and intersperse chosen tracks from non-Jamaican genres, I find I can enjoy continuous musical companionship ... I've collected audio this way forever and do appreciate other music-forms ... so, when I experience a tasty tune, a solid LP/CD or cross-genre fusion, I indulge my sensory need by extending the collection...

... enter the Nasir Jones-Damian Marley alliance ...















... Nasir bin Olu Dara Jones is a pre-eminent New York rapper and son of Mississipian jazz'n'blues musician Olu Dara (if the birthers ask), "Nas" needs no introduction to the hip-hop world ... Damian Robert Nesta Marley a.k.a. "Jr. Gong" also bears the name of his father ... the Iron, Lion, Zion scion of his lineage ... his mother, Cindy Breakespeare, won the 1976 Miss World Competition ...

... in spite of this princely pedigree ... or perhaps because of it ... the aristocratic duo forged a strong relationship in studio and on stage ... and straight to the ears of each other's core audience ...














... it should be noted that the recent "Distant Relatives" CD is only the latest fruit of their joint effort ... and that it was a long time in the making rather than a hastily convened affair ... significant too that musicians were in-studio with the vocalists ... resulting in a rewardingly cohesive stand-alone work ... eloquent and contemporary in content yet traditional in concept ...













... perfomer ego is an easily identifiable tendon in the muscle fibre of Hip-Hop, and frankly, a large part of why we buy it when we do ... or reject it when we find ourselves discomfited by it's more uncompromising tones ... similarly ... regurgitative versions of "the half that's never been told"(another reference to a Dennis Brown classic) and millenarian Rastafarian themes can cause a listener to move and groove in approval, or close-up and pose-off if left cold by the message ... Nas and Junior Gong know that one way to eschew ego and regurgitation is to skew toward the often-imitated-but-never-duplicated Bob Marley model ...













... lo and behold ... there's ample room onstage for conscious message, dancehall skank, Hip-Hop hype, colorful urban-lingo, two-finger gunshot salutes and a couple of maturing princes under the banner of Bob Marley's Ethio-visionary worldview ... the result is an assuredly honest collaboration worthy of props inside and outside artificial human borders ... these figurative distant relatives make modern music in a philosophical state of unity (or I-nity if you can dig it) ... served up and followed up by tours, TV talk-shows, press-junkets and special appearances ...














... to dismiss conviction of purpose and sincere belief in this mission as preaching ... or to judge song titles like "Count Your Blessings"or "Patience" (two of my faves) as light or trite in sentiment, is as egregious as adding negative stigma to the word "liberal"... and twice as damaging to one's edification ...













... upliftment for Africa at home and abroad is the aim here ... the philanthropic use of generated proceeds and serious countenance of these "riddim piranhas/like two Obamas," bespeaks a common calling and sense of purpose ... the sort of thing that elevates better music above other good music ... this is exemplified on "My Generation" which successfully updates the last track on the Melody Makers 1991 album "Jahmekya"... Joss Stone and Lil Wayne are drafted in on that one for more width ... elsewhere, strategic Stephen Marley vocals and co-production chops add weight ... and ... there's the late, great Dennis Brown again, sampled on "Land Of Promise" to rootsify the proceedings ...













... guest appearances by Somali-Canadian rapper K'naan add extra Africa to great effect including a cool turn on the summarising final track "Africa Must Wake Up"... which incidentally can segue sweetly into "T.I.A." (This Is Africa), first cut on his own release "Troubador", which features a "Simmer Down" Bob Marley sample ... K'naan's link to Africa's World Cup 2010 with "Wavin' Flag", and Damian's appearance on that CD too, ties it all together appropriately ... which is the whole point innit, One Blood/One Love ... movement of Jah people ...











... no matter how you cut it, this recording is a Marleyesque statement ... that it partners seamlessly with Nas and K'naan's Hip-Hop agenda seems the most natural thing in the world ...

... "Distant Relatives" had me at "As We Enter", the irresistable opener subsequently co-opted for a slam-dunk dubplate remix for Stone Love ... back in the day, my own grandparents lived one minute above where Damian lived as a toddler, at the foot of Russell Heights in Kingston, Jamaica ... passing by, I'd curiously crane my neck to catch a glimpse of this golden child of famous parentage ... now he's a hard-working standard-bearer of his father's unstoppable legacy and a bridge-builder through intelligent collaborations and his own solo output ...

... see 'ow t'ings work? ... keep it locked ...