More de rigueur for Ackeelover Chronicles are earthtones and Jamaican accents. Well, that's still my go-to aesthetic I can assure you, but now is summer, and the gris of Canadian winter has lifted to reveal Rembrandt's pallette. Everywhere.
Colors stir imagination, so expect retailers to combine tone and tint with font and product placement. This day, I experienced a spontaneous waking daydream thanks to a well placed, simply conceived, plastic serving tray. As I passed through the add-on aisle (that inescapable, build-a-shelf, trinket heaven near any check-out), my music-matrix cued up a familiar guitar intro.
A rare silent "Q" had suggested my default to B.B. 'n' Lucille.
Implicit allusion to hickory and mesquite in the motif evoked a backyard spread, in which I'm feeding fictitious friends from a focal firepit. My apron, a joke gift which should have gone out with the wrapping but stuck around to become part of my shtick, bears the word "horngry," flinging flirt on the flames.
Alas, the line moved sharply, undermining the process of talking myself into the $3 purchase. Still, I couldn't get The Blues outta my head. Further on up the road (intentional reference), I'm still going over my playlist for when opportunity presents itself.
B.B. King appropriately segues into Bobby Bland, another B.B., and back, before Bland a.k.a. "Blue" gives way to pink.
"Pinkie" had parked the statement whip outside Old Navy.
Precisely where her audacious bumper was in my line of vision.
Ignition. Then a lingering look at innuendo before pulling out. Slowly. The confluence of blue and pink in my fluid, freestyle daydream, makes me wish I'd dropped a trey for the tray.
As a sort of ... dreamcatcher.
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