Showing posts with label Gully/Gaza. Show all posts
Showing posts with label Gully/Gaza. Show all posts

Sunday, August 26, 2012

... time for a new sankey ...

... a joke making the rounds of late has the International Olympic Committee considering the adoption of a buzzer system to begin races at future events, having concluded that the sound of a starter's gunshot gives Jamaicans an edge in sprint events ...

... part of the reason this jest resounds, albeit uncomfortably, is that the scenario reflects a certain degree of plausibility to anyone familiar with social ills on the island paradise ... post-facto attention (a press feature this morning remembers folkloric criminal figures Sandokhan and Natty Morgan) and crucial pop-culture continuity, keeps a sensational eye on seamy truth ...

... self-satisfied images of Brand Jamaica out of the 2012 Olympics in olde London, a city shaped in all its tradition and modernity by influences from disparate humanity, have been breathtaking and stimulating, not only in the athletic realm, but also culturally ... Danny Boyle's dense opening ceremony set the stage with an admixture of basic acknowledgement, tapping touchstones from Windsor to Windrush ...

... this was indubitably a more colorful Great Britain on display ... a Jamaican aboard a double-decker bus in pre-independence London was more likely to wear a conductor's standard issue than the ubiquitous Cedella Marley urban-casuals of today ...

... The Games themselves, personified by characters like Bolt and Phelps, not to mention Walcott, James, Rudisha and homies Murray, Daley and Mo, proved both gladiatorial and gamin ... Shelly-Ann and the women surpassed suffragette city with historic heroism and hijabs, and through it all there was the sense of this being a threshold opportunity, for the consolidation of Caribbean cultural expression and sovereign self-respect ...

... predictably though, 'cos it's only natural and we've felt this way before, the lyric "back to life, back to reality" from Soul 2 Soul's mellifluous 1989 smash hit comes to mind when we try to assess where to go from here ... reality in life can be coldly sobering, particularly when highs are so lofty and lows so entrenched ...

... every day, since Jamaican runners reached their respective pinnacles, there has been post-mortem, with various pundits trying to extrapolate consequence from the collective plaudit ...

... analyses and tributes abound, in print, poem and song ...

... Tommy Lee, the latest musical spokesman to capture the spirit of youthful hype in Jamaica's virile dancehall scene, has revamped his current hit "Psycho" to lyrically laud sprint speed ... for him, any tie-in to the internationalization of Gaza-hands by Usain and his acolytes is surely not an unwelcome career filip ...




















... to my ear (and you may just want to accept ackeelover's word for this) the adaptive re-mix represents a positive shift away from the controversially graphic bravado of the original release, and Tommy's mad style is more than swag enough to fill the void left by the currently incarcerated Vybz Kartel ...

... the joys of nationhood and independence run concurrent with insidious indenture to the "shit-stem" (another Peter Tosh-ism), and, malaise related to perpetual poverty creates an identifiable dichotomy in the present-day Jamaican personality ... affable patriotism goes hand-in-hand with battle-hardened survivalism ...

... if the Bolt of lightning brightening our skies at this moment illuminates anything, it is that we will continue to "sing our own song" (as the upful, apartheid-era UB40 opus rolls through my subconscious) ... and, lifted by the breakthrough achievements of our talented brethren and sistren, we must look to adapt for the prosperity of the next half-century, and fly beyond ...

... it's time to sing that new sankey ...

JAMAICAN GLOSSARY
the "shit-stem" - the system
"sankey" - song (typically of the revivalist, spiritual variety)
"indubitably" - definitely not Jamaican, but I couldn't resist

Friday, November 20, 2009

... Lioness On The Rise ...

... everywhere I turn these days someone is analyzing Jamaican Music, the entertainment industry it spearheads and the relationship it has with cultural forces of the day ... both in Jamaica and the wider world ... this isn't idle study, because despite technological adjustments, erratic sales and noticeable market marginalisation, Jamaican cultural expresssion continues to influence beyond local origins ... for better and for worse ...

... much is made of tuneless digi-beats ... aggressive hyper-hetero masculinity ... gunplay and war-worship ... crass content ... repetetive themes of fundamentalism and political entrenchment ... certainly there is enough to repel those who found the bubbling heartbeat and sincere songcraft of earlier eras so embraceable .. if .. it is accepted that the new has obliterated the old ... but Jamaican Music is a living continuum and the truth is more complex than that ...

... first and foremost it is important to recognize that dreck and drivel is not exclusive to current output ... there has always been forgettable music ... only the best survives to represent an era ... secondly it will surprise some and vindicate others to be reminded that the pedigree of musicianship and the power of invention that comes from poverty continues to translate into a tradition of gamechanging on the wide open playing field ...

... it's the time we live in that has changed ... the proverbial pie has effectively shrunken as more clamour for a share of it ... the standouts will include those with the maddest flex, the baddest gangsta gun, the lewdest act ... but also highlighted will be the artiste with the innovative incantation, the fresh lyrical flow or the expanded inspiration ... Jamaican Music has always reflected these and other dichotomies in the society ... if the listener is discerning (granted this can be difficult as it's the hype shit that gets the videolight) then revelation awaits ...

.... I'm a lifetime beneficiary of Jamaican Sound ... readers of Ackeelover Chronicles will come to know this ... there has always been music from the island and it's wider sphere of influence that "sweet me" ... at this point in my life there is enough variety to cater to all my instincts, including those times when I want to feel the high-drama excitement of the dancehall that causes so much hand-wringing and consternation, think Dutty Fridaze in Fletcher's Land Square ... for listening pleasure it's different vibes, all sorts of oldies, "pop-reggae" ... Virgin Islands reggae, Various Artist Samplers ... any Marley, Toots, Tarrus, Tanya, Prezident Brown, the list is virtually endless ... most performers have some superior material in their prolific catalogues ... Sizzla, for example, can sizzle and fizzle ... finding the hotta track is part of the addiction ...

... then, every so often there emerges an artiste who hits stride and produces work that is consistently a-cut-above ...

... several years ago I caught a Tony Rebel show at the venerable Commodore Ballroom in Vancouver, Canada ... a great concert venue ... one favoured by reggae acts when they make it up the West Coast ... the Flames Label undercard featured a young Rebel protege who rocked the spring-loaded wooden dancefloor with a ska medley of her father's hits ... this year she released a CD of admirable quality ...




















... the music speaks for istelf, diverse material showcasing strong vocal delivery both as a DJ chanter and a singer ... Queen Ifrica is one of the brightest lights on the scene and an obvious antidote to the prominent mediocrity and negativity... in the greater scheme of things it is important that positivity is uplifted in ways that will encourage emulation ... gratuitous Gully/Gaza/Daggering lyrics are primarily hype, by nature temporary, and it feeds critics a steady stream of ammunition ...

... solidly rooted in Rastafari this Queen is a winning personality with interests outside the world of music ... the "Fyah Muma," daughter of ska luminary Derrick Morgan, is also a film buff as she told me in the Carib Theatre foyer last year when she came to see A Winter Tale during the general release ...

... the discussions will continue, talking points will invariably start with the sensational ... but after the brouhaha passes on to the next flashpoint we will still have the core of the music to provide continuity and anchor the soul ... Queen Ifrica is part of this core and it is heartening to see that she gives a good interview ... http://www.reggaenews.co.uk/interviews/queen_ifrica.asp  ... she is conscious of thought and accurately represents herself in song as a Lioness On The Rise ...