Showing posts with label reggae. Show all posts
Showing posts with label reggae. Show all posts

Friday, February 14, 2014

It's life, it's love, it's joy, it's everything.

By the time you read this, Valentine's Day will have passed.

But fear not young lovers, for I design these thoughts to endure, like true love itself. Chocolate lays a credible claim to the title but for my purposes here, Cupid's award goes to another. Music, the food of love.

Anyone who ventures to this page will know within short order that, by "music," I refer to Reggae. The Jamaican sound calibrated to cardio, programmed to pulse and honed to the beat of your heart. That same organ used as the universal symbol for love.

Being a multi-faceted industry, well past infancy, there's a wide selection of Reggae extant. Genres and sub-genres, good and bad. Bad, "good" stuff and yes, even good, "bad"stuff. But the best of the product soothes the sensory like inevitable breeze, biding-up with the natural world.

There's Reggae for every occasion. This Valentine's Day is when I'll remember first hearing this new work from Tarrus Riley.





















Reggae chromosomes regenerate themselves. Progeny of the music-form routinely carry on batons of their forebears. Tarrus has a foundation pedigree, which is hardly unique (Reggae heads will get the insider pun), but it's the select few who supersede the benchmarks of their lineage.

At once traditional and modern, experimental and respectful, the man also known as Singy-Singy, has found a commercially viable groove which will have broad appeal and attract new fans. Skit interludes and unaffected chat marry a contemporary approach to classy Rock Steady riddims. The glue is Riley's vocal excellence and topnotch Dean Fraser production.

A very early contender for next year's Grammy. This is one to seek out if you want to experience the feeling "upful," which no music delivers more comprehensively, for the whole soul, than Reggae.

Wednesday, June 6, 2012

... a yah so nice ...

... it wasn't too long ago that topflight reggae family Morgan Heritage had a massive hit song which answered a Norwegian visitor's legitimate query as to why so many Jamaicans seem to favor the facial expression known as "screwface" ... as is true of many a straightforward question, answers can be inconclusive, even contradictory ... such is the discrepant nature of this remarkable place, dubbed Xaymaca (Land of Wood and Water) by the original Arawak inhabitants ...

... after indicating specific harsh realities of life in contemporary Jamaica comes the song's chorus, a response in the form of a question, "... do you see anything fi smile 'bout?" ... in truth, centuries of colonial and post-colonial forces have shaped this nation like penknife-whittled wood ... natural habitats are now compromised by humans, as elsewhere, and survivalism is honed to correlate to the landscape, both geographical and cultural ...

... yet, visceral beauty remains a defining feature of the island ...

... that beauty is binding energy for Jamaicans everywhere ...

... from personal observation, you certainly can take the man out of Jamaica but you can't take the Jamaica out of the man ... this is because the zeitgeist we exhibit today actually melds that which some feel we've lost, namely, old-world traditions forged from empire, and combines them with the inevitable exuberance of the unleashed ... the social result isn't monolithic but is, at least partially, painted red, gold and green ... abundant soil, above and below, subtly lavender Lignum Vitae blossoms and flamboyant Poinciana complement a fulsome assortment of fruiting flora ...

... don't get me going on the fruiting flora! ... another day ...

... with due respect to the Morgans, and that cleverly crafted landmark tune, brother Bob Marley's Positive Vibration and Smile Jamaica are my prescribed pick-me-ups for the people in this dispensation of time (as Peter Tosh would say), since 2012 provides a perfect storm for navel-gazing ... if we can hold onto anything learned since Independence, it's that there is always something to smile 'bout ... if your heart can see ...

"picking up, are you picking up now?" - Bob Marley

JAMAICAN GLOSSARY
"a yah so nice" - literally, "here is nice"
(handle with care, may also refer to erogenous zones)
"screwface" - facial expression of displeasure/skepticism
(may be shortened to "screw"- not commonly sexual, but hey ...)
Lignum Vitae - a rock-hard tree
(the blossoms are Jamaica's National Flower)
Poinciana - charmingly known as Flamboyant in Antigua
zeitgeist - not Jamaican, but cool anyway
(smile)

Sunday, December 4, 2011

... summer street seen ...

... in my world Jamaican Music is a twentyfourseven, threesixtyfive prerequisite, without which life just wouldn't feel right, but sometimes it is seen as mere summertime sound with diminishing relevance as the cooler months set in ... while I strongly reject that attitude in principle, I tend to shelve my objections in July and August when, everywhere I turn, there's a bumpin' bassline or bubblin' beat to keep the vibes level ...

... at the base of the world-famous CN Tower in downtown Toronto, while testing the touchscreen camera app on a new Android Tablet, my attention was drawn to a familiar image on a vending machine ... the resultant snapshot benefitted, quite unintentionally (pinky swear), from a pair of strolling sightseers in my pre-set frame, recalling an early 90's dancehall lick that rocked clubs and looped out of every audio-cassette deck ...

  chorus:
" ... a jus' de Coca-Cola bottle shape a it a run di place,
bruck-out bruck-out gyal, a u have de shape, 
a just de Coca-Cola bottle shape, a it a run di place, 
skin-out skin-out gyal, a u have de shape ..."













   and verse:
"... inna de place, uptown girl have de shape, 
inna de place, downtown girl have de shape, 
inna de place, a London girl have de shape,
inna de place, New York girl have de shape, 
inna de place, Canadian girl have de shape,
a dem have di shape and a give man headache,
a dem have di shape mek man body shake ..."

... you get the idea ... within the genre there is always compulsion to big-up the female form, frequently in illustrative or graphic fashion ... this familiar theme, with attendant effect on the equilibrium of the enraptured beholder, is an eternal spring ...

... here on record (spot the misspellings inspired by yardspeak, a fun-for-all parlour game with reggae covers and labels), figure and bodyline are linked to curvy coke-bottle design and presented over a tuff Bogle riddim, with hooks from the quirky-smirky vocal of self-deprecatingly named DJ, Simpleton ...













... Christopher "Simpleton" Harrison (1971-2004), late of  St. Andrew, Jamaica, shot to fame in '91/'92 with this hit ... he reportedly suffered from high blood pressure and died of a heart attack at just 33 years old after releasing three albums ...

... I remember him, and his catchy phrasing, whenever I spy Scarlett Johanssen ... or a retro pop-vending machine ...

Saturday, July 16, 2011

... the aural, and the oral ...

... seems I've been down this route before ... I'm talking about a mighty highway that may as well have been main-street, for it's utter familiarity ... Canada's roadways tend to be consistently maintained, at a high standard, even berms and sidewalks are usually groomed ... aesthetic homogeneity making for safer driving conditions is the governing wisdom, and while that may be so, monotony and sheer distances involved in traversing Canadian landscape can give an active mind too much room to venture-off into a world of contemplation, or distraction ...














... lately, I'm spending more time commuting in and around the Greater Toronto Area (GTA) ... yesterday, after tuning out several Mario Lanzas, one or two Sarah Harmers, Weezy, April Wine and Rush (not the band, but Limbaugh frothing from a Buffalo, NY station), I settled on eclectic CBC Radio2 for audio companionship, winning-out by virtue of a forward reggae groove designed to ensnare an ackeelover ...

... complacency with my listening choice was shattered by the unmistakable sound of Mick Jagger's voice in the mix, plenty Dave "Eurythmics" Stewart, Joss Stone and Ras Damian Marley's trademark Gong-flava adding to the surrealism ... wellwhaddyaknow, there's a new supergroup blowin' through the air and its first release is the groovy "Miracle Worker" exuding the sweet aroma of a phat Jamaican joint ... SuperHeavy ...














... alas, that was the only reggae I heard on this ride, still, it's good to know Robert Plant continues to make cool music, as suggested by "Angel Dance", his recent Los Lobos cover that rocked me for a mile or three ... any random graze over the music scene brings a freedom from delineation, non-binding as that may be ... and anyway, I find reggae in everything with a heartbeat ...

... between newsbreaks focusing on the Kandahar Karzai killing and traffic-updates regarding a fatal accident impeding flow in both directions, it was trippy to hear Andre 3000 being touted to play Jimi Hendrix in an upcoming biopic,  followed by some Outkast to link vibes old and new, and leave tragedy behind ...

... just then, as if some perverse puppeteer conspired to remind me of the traffic, an abortive overtaker brakes sharply into my lane ... one rearward guilty glance in a wing-mirror betrayed contrition on an attractive face, when she regained her nerve she pulled out and was gone, leaving me only the memory of a provocative license plate, BJEY 247 ... barely had I begun that first flushed fantasy, when BLEW 905 zoomed by in the fast lane and I was left wondering if there was a theme convention somewhere downline...

... discretion on behalf of the presumably innocent means I must admit to slight alteration of the vehicle registration digits, but the experience is otherwise as told, complete with aural stimulation and oral innuendo ... then, they throw this out there, J.Lo is now single - stop!, too much! ... our highways and biways may be orderly and clean-as-a-whistle but with merest imagination there's sex and drugs and rock 'n' roll all over dem streets, and it could cause another ... mishap ...

... were succubi to overcome me on the road, necessitating any sort of legal plea, I imagine that basing my moving-violation case on solicitous license plates would backfire, so I'd be more likely to plead "not guilty yer 'onor!", citing public radio as my defense ...

... "blame it on the CBC!"...

Wednesday, June 1, 2011

... heartbreak on di gully bank ...

... if the rapturous triple-play I heard on the radio in Kingston last week is anything to go by, you are going to hear this choon all summer long, so ... nuh watch no face, yuzimi! ...



... riding high for a couple years, Mavado (a.k.a. the Gully God) from the quaintly named but periodically volatile community of Cassava Piece, has been pulling away at the top of the pack ... this is partly natural transition as leaders like Buju Banton deal with career complications and partly due to bizarre abdications like that of Vybz Kartel, whose penchant for skin-bleaching and aesthetic self-alteration alienates fans in droves and sets back his high-profile rivalry with Mavado ... at the same time Mavado, after a stream of hardcore hits, seems to be embracing a transformation from gangsta to golden-boy, a road travelled by several before him ... "Delilah" takes it to the nex' level with a melodic hook and lyrics on a universal theme ...

... there was a time not long ago when speaky-spokey announcers eschewed home-grown music in favour of foreign fare, but today, while you can still hear a wide variety of international sounds on Jamaican radio, there is little doubt that Patwa (the dominant lingua franca) with its attendant riddim, rules the airwaves ...

... Jamaican music, I suggest, is best appreciated as a mercurial continuum rather than a loose collection of (so called) "classic eras" ... some folk savor the Ska or rub-up to the Rock Steady, others revere one-drop Roots, Rock, Reggae and the yout' dem dig the Dancehall ... as such, there's a style for everyone in the musicality of this island, even if you don't regard anything beyond the Mento era or the one singer you know of is named Marley ...

JAMAICAN GLOSSARY
"choon" - tune, song
"nuh watch no face" - don't be misled by naysayers
"yuzimi" - you see me ... y'understand
"speaky-spokey" - describing attempts at proper pronunciation
Patwa" - Patois, Jamaican English

Tuesday, October 26, 2010

... Dennis, Lincoln, Gregory, troubador trinity ...

... one of the sustaining joys in life is the sound of reggae music ... as a living entity it compares to those hardy species of tree that thrive in the tropics ... trees with anchoring roots that respond to adversity by sending out another shoot, or branch, often in a new direction ... strong like Lignum Vitae, expansive like Guango and ubiquitous like macka or cassie-bush ...

... the Jamaican musical continuum is as old as slavery, even older if you include earlier African and European influences ... for purposes at hand I focus on the last fifty years and the successive passage of definable eras ... one such era has been slipping away since the death of Dennis Brown more than a decade ago ... this year, with the loss of Sugar Minott and now Gregory Isaacs, that process is all but complete ...

... Gregory, a favourite son since the early-seventies, had the sort of talent that proved greater than the sum if its parts ... his appeal leans quirkily on a smooth-as-silk, post-nasal croon, sounding like no-one before or since ... with a keen awareness for a sentimental lover's lyric, a penchant for natty threads and the sort of laconic inner-city cool only Snoop can match nowadays, the Cool Ruler had the skill-set to remain popular down the years ... he drew excited audience responses simply by sauntering onstage moaning contentedly into his cordless microphone ...

... Gregory Isaacs and Dennis Brown, two of the most identifiable figures in reggae due to their unique voices and prodigious output, released steady streams of music over decades, the best of which can be found strewn throughout the prolific chaos of their extensive back-catalogues ...























... these beloved performers rode the riddim to stardom and international acclaim ... from the beginning, the Jamaican public-at-large identified with their brand of sufferer soul ... they started their own labels and were providers for extended families ... the fact that Brown and Isaacs had long-term cocaine habits which hastened their departures from this mortal coil is a sad footnote to the often collaborative legacies they left on record ...





... Gregory sings Dennis, Dennis sings Gregory ... the sheer amount of joint-releases and artistic overlap from them cements their legacies as twin-pillars of the reggae industry ...

... Lincoln "Sugar" Minott wasn't known for the type of drug struggles his two more celebrated compadres became associated with but his career followed a similar path of autonomy and mentorship, garnering the respect of peers and public, more than justifying his inclusion in this company ...

... the genius of entertainers like these is related to their abilities to carry cultural pride along with them as they journey out into wicked Babylon on their way to a better place ... if it is understood that Babylon will present obstacles as well as opportunity, then the way forward requires not just performing talent, but also, love in your heart, commitment to progress and versatility ...

... this trinity of troubadors sang in the voice of African identity, each living the music and honoring it as a driving force for positive energies ... despite occasional expediency-motivated, undercooked releases there was always good music being made, often stamped only on scarce vinyl to be collated latterly on collector compilations or torrent download ...

... Minott mastered Lovers Rock and Brown was born to sing songs of love, but it is Gregory who stirs it up with his ability to help us to ... how shall I put it? ... um ... move the action from the parlour to the boudoir, when it's time for business ...

... it has fast become cliche to big-up Gregory by singling out the iconic "Night Nurse", I was trying to avoid that trap but you just have to heart this tune and it's many remixes ... we've heard Dennis Brown's voice sampled to great effect ... look for same with Gregory Isaacs who's always killer when dropped in a dubmix ...


... in due course, life-lessons from the Original Dapper Don must be absorbed as we try not to repeat the mistakes of our forebears, but thankfully for Gregory and those who continue to enjoy him, it's the good you do that will live on after you ...

Sunday, July 18, 2010

... Distant Relatives ...

... "if this world were mine/I'd play rub-a-dub all the time"... you'll sometimes hear me spontaneously sing this out in my best Dennis Brown style, as if to broadcast the contentment a reggae soundtrack brings to my very heartbeat ... when I mix-up my selection with other styles of Jamaican music or hybrids thereof, and intersperse chosen tracks from non-Jamaican genres, I find I can enjoy continuous musical companionship ... I've collected audio this way forever and do appreciate other music-forms ... so, when I experience a tasty tune, a solid LP/CD or cross-genre fusion, I indulge my sensory need by extending the collection...

... enter the Nasir Jones-Damian Marley alliance ...















... Nasir bin Olu Dara Jones is a pre-eminent New York rapper and son of Mississipian jazz'n'blues musician Olu Dara (if the birthers ask), "Nas" needs no introduction to the hip-hop world ... Damian Robert Nesta Marley a.k.a. "Jr. Gong" also bears the name of his father ... the Iron, Lion, Zion scion of his lineage ... his mother, Cindy Breakespeare, won the 1976 Miss World Competition ...

... in spite of this princely pedigree ... or perhaps because of it ... the aristocratic duo forged a strong relationship in studio and on stage ... and straight to the ears of each other's core audience ...














... it should be noted that the recent "Distant Relatives" CD is only the latest fruit of their joint effort ... and that it was a long time in the making rather than a hastily convened affair ... significant too that musicians were in-studio with the vocalists ... resulting in a rewardingly cohesive stand-alone work ... eloquent and contemporary in content yet traditional in concept ...













... perfomer ego is an easily identifiable tendon in the muscle fibre of Hip-Hop, and frankly, a large part of why we buy it when we do ... or reject it when we find ourselves discomfited by it's more uncompromising tones ... similarly ... regurgitative versions of "the half that's never been told"(another reference to a Dennis Brown classic) and millenarian Rastafarian themes can cause a listener to move and groove in approval, or close-up and pose-off if left cold by the message ... Nas and Junior Gong know that one way to eschew ego and regurgitation is to skew toward the often-imitated-but-never-duplicated Bob Marley model ...













... lo and behold ... there's ample room onstage for conscious message, dancehall skank, Hip-Hop hype, colorful urban-lingo, two-finger gunshot salutes and a couple of maturing princes under the banner of Bob Marley's Ethio-visionary worldview ... the result is an assuredly honest collaboration worthy of props inside and outside artificial human borders ... these figurative distant relatives make modern music in a philosophical state of unity (or I-nity if you can dig it) ... served up and followed up by tours, TV talk-shows, press-junkets and special appearances ...














... to dismiss conviction of purpose and sincere belief in this mission as preaching ... or to judge song titles like "Count Your Blessings"or "Patience" (two of my faves) as light or trite in sentiment, is as egregious as adding negative stigma to the word "liberal"... and twice as damaging to one's edification ...













... upliftment for Africa at home and abroad is the aim here ... the philanthropic use of generated proceeds and serious countenance of these "riddim piranhas/like two Obamas," bespeaks a common calling and sense of purpose ... the sort of thing that elevates better music above other good music ... this is exemplified on "My Generation" which successfully updates the last track on the Melody Makers 1991 album "Jahmekya"... Joss Stone and Lil Wayne are drafted in on that one for more width ... elsewhere, strategic Stephen Marley vocals and co-production chops add weight ... and ... there's the late, great Dennis Brown again, sampled on "Land Of Promise" to rootsify the proceedings ...













... guest appearances by Somali-Canadian rapper K'naan add extra Africa to great effect including a cool turn on the summarising final track "Africa Must Wake Up"... which incidentally can segue sweetly into "T.I.A." (This Is Africa), first cut on his own release "Troubador", which features a "Simmer Down" Bob Marley sample ... K'naan's link to Africa's World Cup 2010 with "Wavin' Flag", and Damian's appearance on that CD too, ties it all together appropriately ... which is the whole point innit, One Blood/One Love ... movement of Jah people ...











... no matter how you cut it, this recording is a Marleyesque statement ... that it partners seamlessly with Nas and K'naan's Hip-Hop agenda seems the most natural thing in the world ...

... "Distant Relatives" had me at "As We Enter", the irresistable opener subsequently co-opted for a slam-dunk dubplate remix for Stone Love ... back in the day, my own grandparents lived one minute above where Damian lived as a toddler, at the foot of Russell Heights in Kingston, Jamaica ... passing by, I'd curiously crane my neck to catch a glimpse of this golden child of famous parentage ... now he's a hard-working standard-bearer of his father's unstoppable legacy and a bridge-builder through intelligent collaborations and his own solo output ...

... see 'ow t'ings work? ... keep it locked ...

Friday, November 20, 2009

... Lioness On The Rise ...

... everywhere I turn these days someone is analyzing Jamaican Music, the entertainment industry it spearheads and the relationship it has with cultural forces of the day ... both in Jamaica and the wider world ... this isn't idle study, because despite technological adjustments, erratic sales and noticeable market marginalisation, Jamaican cultural expresssion continues to influence beyond local origins ... for better and for worse ...

... much is made of tuneless digi-beats ... aggressive hyper-hetero masculinity ... gunplay and war-worship ... crass content ... repetetive themes of fundamentalism and political entrenchment ... certainly there is enough to repel those who found the bubbling heartbeat and sincere songcraft of earlier eras so embraceable .. if .. it is accepted that the new has obliterated the old ... but Jamaican Music is a living continuum and the truth is more complex than that ...

... first and foremost it is important to recognize that dreck and drivel is not exclusive to current output ... there has always been forgettable music ... only the best survives to represent an era ... secondly it will surprise some and vindicate others to be reminded that the pedigree of musicianship and the power of invention that comes from poverty continues to translate into a tradition of gamechanging on the wide open playing field ...

... it's the time we live in that has changed ... the proverbial pie has effectively shrunken as more clamour for a share of it ... the standouts will include those with the maddest flex, the baddest gangsta gun, the lewdest act ... but also highlighted will be the artiste with the innovative incantation, the fresh lyrical flow or the expanded inspiration ... Jamaican Music has always reflected these and other dichotomies in the society ... if the listener is discerning (granted this can be difficult as it's the hype shit that gets the videolight) then revelation awaits ...

.... I'm a lifetime beneficiary of Jamaican Sound ... readers of Ackeelover Chronicles will come to know this ... there has always been music from the island and it's wider sphere of influence that "sweet me" ... at this point in my life there is enough variety to cater to all my instincts, including those times when I want to feel the high-drama excitement of the dancehall that causes so much hand-wringing and consternation, think Dutty Fridaze in Fletcher's Land Square ... for listening pleasure it's different vibes, all sorts of oldies, "pop-reggae" ... Virgin Islands reggae, Various Artist Samplers ... any Marley, Toots, Tarrus, Tanya, Prezident Brown, the list is virtually endless ... most performers have some superior material in their prolific catalogues ... Sizzla, for example, can sizzle and fizzle ... finding the hotta track is part of the addiction ...

... then, every so often there emerges an artiste who hits stride and produces work that is consistently a-cut-above ...

... several years ago I caught a Tony Rebel show at the venerable Commodore Ballroom in Vancouver, Canada ... a great concert venue ... one favoured by reggae acts when they make it up the West Coast ... the Flames Label undercard featured a young Rebel protege who rocked the spring-loaded wooden dancefloor with a ska medley of her father's hits ... this year she released a CD of admirable quality ...




















... the music speaks for istelf, diverse material showcasing strong vocal delivery both as a DJ chanter and a singer ... Queen Ifrica is one of the brightest lights on the scene and an obvious antidote to the prominent mediocrity and negativity... in the greater scheme of things it is important that positivity is uplifted in ways that will encourage emulation ... gratuitous Gully/Gaza/Daggering lyrics are primarily hype, by nature temporary, and it feeds critics a steady stream of ammunition ...

... solidly rooted in Rastafari this Queen is a winning personality with interests outside the world of music ... the "Fyah Muma," daughter of ska luminary Derrick Morgan, is also a film buff as she told me in the Carib Theatre foyer last year when she came to see A Winter Tale during the general release ...

... the discussions will continue, talking points will invariably start with the sensational ... but after the brouhaha passes on to the next flashpoint we will still have the core of the music to provide continuity and anchor the soul ... Queen Ifrica is part of this core and it is heartening to see that she gives a good interview ... http://www.reggaenews.co.uk/interviews/queen_ifrica.asp  ... she is conscious of thought and accurately represents herself in song as a Lioness On The Rise ...

Friday, September 4, 2009

... so ... why ackeelover?

... it's bound to come up eventually so consider this a pre-emptive reasoning ... ackee is one of Creation's more esoteric fruits ... tropical advantage makes it known only in certain parts of the world yet it is known of in wider latitudes due to its notoriety ... the story of ackee and its fusion with the DNA of Jamaica has been told ... wiki-information is extant ... and though ackee is not revered everywhere it is found, I come to testify to the incomparable appeal of this heartical food ...















... according to a wiser elder in my family I manifest the same ackee-loving gene as a great-grand aunt who loved it as much as anyone ... when he told me of this a few years back I came to understand my predilection for ackee ... as more of a divine right to eat plenty ackee ...

... whenever Belafonte sings about it, travellers and foodies talk about it and researchers learn about it, the mythical dimension of ackee takes on a life of its own ... and ... each person's frame of reference will likely come with a beat and a story to tell ...

... well ... reggae is a storytelling music and all kinds of everything have been complemented with a score ... here I'm reminded of a Third World Band musical touchstone,"The Story's Been Told" LP from 1979 ...




















... admittedly the record has nothing at all to do with ackee, but the title track celebrates the telling of true stories ... in history and culture ...











... and ... polishing off a plate of the real thing under optimum conditions is a like having a meal of history and culture ... nourishment for belly and soul ... the ears too, if we throw in the sweetening soundtrack ...

... the compromise of the canned fruit when you find yourself far from the tree is not to be regarded lightly ... it's a nex' bes' ting ... experimentation in the name of cuisine is all good too ... I've even had homemade ackee vol-au-vents recently ... hostess did herself proud ...

... ackee trees came to Jamaica with African slaves and their traders ... over the passage of time the Caribbean centrifuge blended in salted codfish, specific local flavours and several layers of addictive verve ... the results are reflected in the name of this blog, wherein the ingredients combine for succulence ... like the everlasting artwork on these early Worl'er albums and the fulfilling aural foods inside ...

... then there was her slyly mis-pronounced, flirtatious semi-query..."a-key-lover?" ...

... boong bang!

... now ... glad you asked?